The Pianno Girl

“This is a failed experiment.” I’m p[l]aying for the Girl in Blue. I’m writing pages in a manuscript for a diary in a journal. Am I pretending to be somebody else?

Everything you’re hearing right now does not necessarily have to be true. When reality is too solid it weighs you down. This is not a “chill out, man” kind of saying that’s aimed at avoiding the problem—or really showing {how you don’t care}. I’m saying that, everything you’re going through right now is not what’s necessarily happening—and even if it is, how important is it really? What’s the use of thinking that everything has to go a certain way; to be harsh about it; to force it to happen as you imagine it. You make reality with your thoughts and your worries; and how much it can weigh on you is really up to you. It is not what is happening.

All this started because my first girl-friend was great at inventing codes. Codes, you used to think that the whole world can be understood if you could read the codes, read the signs. {You’re getting closer to me.} The mystery can be solved; and code is the process. Codes also means there is something to hide. Someone, or something is being hidden, being secretive. What is it that they don’t want us to know, or want us to know, what do they mean, by trying to keep it secret?

So now here I am, playing Piano for the girl in blue playing in the corner… and she’s signing on the counter leaning against the TV. BBC on mute. Me right here across writing, watching, smoking. Still trying to solve this mystery.

Music is also a communication system, and those that can express themselves purely through sound are artists. But what distinguishes writers from other categories of writers? Perhaps, it is which part of you that you allow to write.

For the lover of music. The keyboards are a powerful instrument.

[Such] Intensity of description.

Acoustic.

The image; the word.

The humidity of the streets. The crowds you’re against. Facing it; a wall of indifference, a wall of hate.

You’re right. You’re a whole different person when you write. People choose which parts of themselves to choose to write. It’s because I know you in real life—in living with you, being with you, in reflecting off you. I sometimes can’t reconcile the difference between the two. I think of something to say, to reply to the you I know in this written universe, but then I think of the you I know of experience, from memory, from real life—and I don’t know how best to reply. Who you can be, and how you can reply, in this written universe is also so much different, vaster in some ways than in real-life. I can’t see your reply, as I do when I’m talking to you face to face—to see what your face says, to reflect what my being is changing or not changing in you right then and there. All I can do is reaching out to you, through writing. What we all do in real-life—minus reflecting on a faster reply. Such trying to reach you… a way of being with you.

I can’t say sometimes; just sending and receiving. If anything is happening. I’m more worried about what the response would be—if I’m going to send this to you. What should I do to best get through to you? What should I say, and what can’t I say?

Some people get lost in this world. In this separation… not wanting to get lost in life, in the crowd, the masses.

Starts serenading from the computer, in one palm, silent with the other.

[Such] Intensity of description.

Acoustic.

The image; the word.

Memory is different here. All the words written… [become a trail]. Clues to this self… clues leaving closer to that self--that self that writes. On this journey into the self… Retreating….

Some people get lost in this world. In this separation… not wanting to get lost in life, in the crowd, the masses.

Just ignore it.

TV is like medication. You want to be happy, and this is a distraction, it is never as good as the real thing. Because you don’t create. Something is missing. And, when you create. When you invest your psychic energy. That is when you can be in love. In love, and joy. Perhaps that is the feeling from first love… you create something, in your mind, that you’ve never loved before, and love it. I remember, one of the first girls I’ve ever loved, I puzzled her. It is the greatest sense, and source of curiosity to get to understand her weird and erratic pattern. To bring order to her system. And perhaps, this is the most beautiful way two people can get to know each other. When I really want to understand, with all my curiosity and passion, how this person is. To find joy in such true communication, to such understanding.

Music

Never try to write a memory; memory is passing; and this moment is a rememorizes the next. Where would we be if we stopped trying to remember? In oceans is not about being blameless; it Is not about being guilty. When we smoke we sometimes become more blameless; we might feel like it. But we also become more easily influenced; we are not on longer responsible for what happens or is happening; we might feel no guilt for things; but that never means we’re not blameless; everything we do is imprinted;

The reasons are sometimes too easy… or weak, the child not yet learning to be a man in male rock. The way we were as children, this beautiful word becoming not what we thought it was. Growing up becomes a process of taking this essential ignorance; this essential goodness; and not losing it. These changes; polar opposition; logic; turns people’s natures upside down.

Pop culture: taking everything in; leaving your eyes wide-open without judging folly for sin. Guiltless enjoyment. Uncensored.


Copyright 2010, Saranit Vongkiatkajorn